He Shot Rock ‘n’ Roll Too
How many roads must a man walk down
Before they call him a man?
The answer, my friend, is blowin’ in the wind
The answer is blowin’ in the wind.
– Bob Dylan
Rowland Scherman at Art Folk, Inc., “We Shot Rock ‘n’ Roll” (See video, links and purchasing information below)
by Glynn Wilson
BIRMINGHAM, Ala. — Running into Rowland Scherman at the “We Shot Rock ‘n’ Roll” show the other day made me think of a story I picked up from a professor who taught a class at the University of Alabama on the history of “Rock ‘n’ Roll,” a story packed with advice about how to live life and succeed.
Scherman was in town for a special show at a downtown gallery since none of his works were included in the Birmingham Museum of Art show going by a similar name out of Brooklyn, New York. When I saw the announcement about the Museum of Art show, I planted the idea on Facebook to get Rowland back down here, since his name was not on the list of photographers and I knew he had some of the most iconic pictures from the beginnings of Rock ‘n’ Roll.
At the time Rowland was running Joe bar on Birmingham’s Southside in the early 1980s, I was a student of journalism and photography at the University of Alabama, fully engrossed in reading authors like Hunter S. Thompson, and ordering Bass Ale, because that’s what Thompson drank at the Watergate Hotel. Joe was about the only place in Birmingham you could get it then.
The professor in question, Jim Salem in Tuscaloosa, liked to say when the bus pulls up to the station, no matter what your dream, you better have your bags packed and be ready and willing to get on that bus and go. When opportunity knocks, that is, you get on the bus.
Photographer Rowland Scherman got on that bus, in 1957, and he’s still on it, although sometimes these days, it’s a train or a plane taking him to the big picture.
Let’s just say Rowland Scherman was there, for some of the most important cultural moments of the 1960s and beyond.
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